The term " selfie " corresponds to a late process of identifying a set of photo or video reflexive practices, related to the emergence of an aesthetic of subjectivity. Exploring the articulation between autonomy of shooting and participation in the action, as well as the take-off produced by conversational uses, this article shows that a media controversy triggered this phenomena. In , the denunciation of the narcissistic character of self-representation or disrespect of values and norms presents the selfie as a subculture. This condemnation leads to a response of adhering to a gesture then identified as an impertinent and progressive signature. Vector of its promotion, the controversy consecrated the selfie as a cultural form, and imposes it as the photographic practice most representative of contemporary visual expression. If this cult sequence bears any credit for its ethnographic quality, what is striking is the speed and spontaneity with which the two women lend themselves to this exercise.
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Lucas Samaras: Father Of The Selfies
The consecration of the selfie
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Read more A decade later, the most fruitful Church Planting Movement in history had recorded more than two million baptisms, thousand new church starts and countless lives transformed into disciples of Jesus Christ. Since then T4T has become a global movement, spreading into every corner of our world.
By Emma Reynolds. Vain amateur models taking 'sexy' snaps of themselves in the mirror has become a cultural phenomenon. These awkward examples showcase some of some of the world's most embarrassing self-taken shots. The pouting pictures and self-conscious poses reveal how not to take a flattering self-portrait.